REVIEW: The Kundiman Party essays nationalism
Glimpses of the interiors of some dwellings during the 60s evokes some iconic memories, perhaps complexity of secrecy, pain, regret, laughter, definitely sacrifice.
Most dominant, a painting of a prima diva of bygone glory days of an opera singer, Maestra Adela, is set prominently above all the collections, framed posters and photographs, books and some oeuvres.
Question is paused: What is the relevance of opera in these modern times? How about kundiman songs? Where does Maestra Adela stand on these challenging era?
The Kundiman Party, as had been published, “This is my swan song,” admitted by playwright-art patron-director-magazine editor, Flor Quintos.
But it could never be. Stage director approached Quintos to consider writing a musical about the kundiman art songs.
Thus, a concert of kundiman art songs becomes the backdrop for a searing exploration of how art, music, values and the very fiber of our society is being transformed by the challenging times we live in.
Shamaine Centenera-Buencamino and Teroy Guzman, whose characters belong to an era of despotic governance. The former is an opera singer, artist who was sponsored by the other half of the conjugal dictatorship.
But turned her back from her, instead, embraced loyalty and love to her country.
But her sacrifices were for naught. The latter is a senator, a politician who played among the ruthless leaders of the past and present.
An unforgettable scene, when the two titans met — finally — expecting fire and water to burst up on stage.
But no! The meeting became a silent excruciating experience for the audience when the politician, still active, tried to manipulate the retired-maestra to give up her fight but for a price.
Dangling a title of a National Artist, like a piece of meat to an emaciated canine. Subtle manipulation and scheming strategy were the tools used by the politician that could work. However, the sassy feline possessed claws and pangs that she preferred not show, because she had class and panache. Instead, she dared walked out from him and his lethal bait.
Delivering complex, kilometric dialogues coupled with tedious, straining physical requirements, Buencamino is splendid epitome of a thespian who could put the current wannabe actors to their knees.
Could she be compared to Lady Judy Dench?
And Guzman, in short or long exposure, has the commanding presence and intimidating voice that no one yet could match, except perhaps, the late Vic Silayan.
Indeed, a polished and impeccable kundiman of artful dialogues, characterizations and narrative, only an accomplished Quintos could deliver.
Coupled with the masterful direction of Santos with his grand knights and ladies up on stage that ignited fervor for the love of the country and its moral values.
Still showing, The Kundiman Party runs April 11 to 29, at the Wilfredo Ma. Guerrero Theatre, UP Diliman, Tel. Nos. 0917-823-9531, 926-13-49 and 981-8500 loc. 2449
